A squirt gun would never be mistaken for a real gun, right? Dive into the thought-provoking world of Water. Gun. Argument and challenge what we choose to believe. A thought provoking and powerful piece in a docu-theatre style.
An avant-garde look at the price of popularity.
This vignette play explores the beats, pauses, and neverending silences in conversation. An excellent class project with parts for everyone.
Madeline has body issues. So much so that her different body parts are coming to life and talking back. But Madeline is tired of feeling bad about her body.
Madeline has body issues. So much so that different body parts are coming to life and talking back. A shorter version of this body image play.
A touching ensemble piece where sacrifice is as simple as a pair of wings.
Potential sits centre stage in a chair. Sometimes the hardest thing to do is just stand up...
A group of teenagers grapple with unanswered questions as they try to understand why someone who has it all would kill themselves. Powerful monologues.
A competition-length version of Chicken. Road. by Lindsay Price
The question everyone’s asking is “Am I walking out alive today?”
An examination of depression and anxiety in teens.
A theatrical adaptation of a selection of Walt Whitman's civil war poems. See the words, the war, the blood come to life.
A theatrical adaptation of a selection of Walt Whitman's civil war poems. See the words, the war, the blood come to life.
A theatrical adaptation of a selection of Walt Whitman's civil war poems. See the words, the war, the blood come to life.
Seven strangers meet in a train station. Instead of luggage, they all carry their "emotional baggage." The most unique play we sell - it has no dialogue.
Two girls live in two communities that have been separated by a wall for a hundred years.
An emotional tug of war between a sister and brother and what really happens in the world of teenage marijuana use. A vivid personification of drugs.
This middle school play looks at the bullied, the bully, and the bystander through mostly non-verbal vignettes.
Step inside Robin’s world as he grapples with his conscience and his anti-conscience. And then deeper still as the writer tries to figure out an ending... which he may not be able to do if he’s not actually the writer.
A vignette play that embraces the odd. Odd jobs, odd socks, odd one out, odd reactions and odd boyfriends.
The realities and the stereotypes of school violence. Not just the school shooting, but harassment and bullying. Violence is about power. So is high school.