Items tagged "Popular"
3 Courses, 6 Units, 1 Lesson Plan, 6 Resources, and 6 PLCs tagged "Popular" for Drama Teachers.
Courses
PD COURSE
Friendly Shakespeare
by Todd Espeland
Friendly Shakespeare teaches a simple and effective method of script analysis for Shakespeare. It uses punctuation and keywords in the text to help students understand the characters' needs, make specific acting choices, and get them on their feet immediately.
This is not dry, sitting in a classroom discussion. It’s physicalizing the text, focusing on the character’s needs and tactics (something every drama student should know full well) and bringing Shakespeare to life.
At the end of the class you will be able to demystify Shakespeare's text and understand how to help your actors make clear, active and emotionally connected choices in Shakespeare's plays.
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PD COURSE
Laban: Advanced Characterization
by Todd Espeland
Learn about the Laban system to teach your students to physically and vocally discover character. This is an advanced course, which means that the course goes deep into exploring character and exploring character work through the work of Rudolph Laban.
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PD COURSE
Shakespeare's Toolkit
by Todd Espeland
Todd Espeland has the experience to know that having more tools in your toolbox makes you a better actor. This is especially important when teaching students how to approach Shakespeare. They need help breaking through the language barrier and into the character’s needs and into the character’s thoughts.
The tools that you’ll receive in this course will do just that. The course looks at scansion as a tool for breaking down Shakespeare’s verse, the importance of end of lines, and caesura. Caesura is an inner-line pause which is a lot of fun to play with and really, helps us provide insight to the character’s thoughts and into their needs.
The course provides numerous examples and handouts, and culminates in a performance assignment to use with your students.
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Units
UNIT
Voice
by Karen Loftus
This unit focuses specifically on the technical aspects of vocal production. By understanding how voice is created, students will be more aware of how to improve their vocal production. Students will explore posture and breathing exercises, as well as how to use the diaphragm, projection, and articulation. The final project will test students’ ability to properly project and articulate a joke across a large space.
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UNIT
Script Analysis: The Actor's Perspective
by Karen Loftus
How does an actor analyze a script? Students start with character analysis (how do we learn about a character in a script? what are the facts/inferences about a character?) and then explore the ideas of “objective,” “obstacle,” “stakes,” and “tactics.” The unit culminates with students applying learned script-analysis techniques on an assigned scene.
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UNIT
Character Analysis - Part 1
by Matt Webster
The Drama Two Curriculum has been developed to expand and deepen students’ skills as artists. In this unit, students will explore character analysis, which is key to developing three-dimensional characters in monologues, scenes, and plays. In Part 1, they will start with Uta Hagen’s nine questions for character analysis.
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UNIT
Lighting
by Josh Hatt
This is an introductory mini-unit to lighting that can be achieved whether or not you have a lighting system. Students will work toward being able to demonstrate their knowledge of lighting effectiveness.
The questions of the unit include: How can light affect a scene? How can lighting affect the audience? What is the mood of the scene? How does lighting play a part in creating mood? How can you use shadows onstage? How does color impact the scene?
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UNIT
Unit One: Ensemble Building and Class Norms
by Lindsay Johnson
This unit has six lessons that you can use in the first week of your middle school program. What do you do in the first week? The most important elements are creating routines such as journal prompts, opening and closing circles, and giving strong feedback; creating an ensemble and ensemble-building games; and introducing a Weekly Ensemble Rubric.
Students will define and build ensemble as a group, learning specific ways they can SAY YES and BE SAFE in class. They will understand the daily grading system and the basic routines of class. Finally, students will learn to give strong feedback by connecting specific evidence from performance to the Rubric language.
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UNIT
Unit Four: Intro to Scripted Scenes
by Lindsay Johnson
Students will be introduced to the most basic of scripts: the contentless/open scene script. They will use their knowledge of character/relationships, setting, objective, and tactics to add content to a contentless scene. Students will also learn the basics of set design and blocking, and will begin using voice expression to communicate clearer characters. The unit culminates in a performance assessment in which students will work in pairs to add content to and perform a contentless scene.
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Lesson Plans
LESSON PLAN
00 - Emergency Lesson Plans Ebook
by Lindsay Price
You need Emergency Lesson Plans. The unexpected comes up all the time.
This Emergency Lesson Plan Collection (30 lessons) will address all of your concerns and take into account all of your sub’s questions. Every Emergency Lesson Plan includes substitute instructions, handouts, and assessment suggestions.
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Attachments
Resources
RESOURCE
Last Minute Sub Solutions
What do you do when you have to be unexpectedly absent from class? DTA members to the rescue with their ideas.
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RESOURCE
Monologue Packet
We know that you’re always on the lookout for monologues. We also know you’ve no time to search for monologues.
Enjoy the material in this packet. Use them in your classes. Give them to your students for their next IE’s. The full scripts for all monologues can be found at theatrefolk.com.
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RESOURCE
00 - Scenes for Classroom Study eBook
Use these scenes in your classroom for character study, scene work, substitute teachers, performance, Individual Event competitions, and any other way you can imagine.
Each scene comes from a published play (the complete play can be found on at theatrefolk.com) and is FREE for you to print, copy, and distribute. But wait there’s more! Each scene comes with:
• Close Reading Questions
• Staging Suggestions
• Character Development
30 scenes in total within this eBook!
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RESOURCE
13 - Story Theatre Scripts
These story theatre scripts are ready for performance. Each story includes at least one narrator, and each one can be adapted further to meet your needs.
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RESOURCE
Emergency Lesson Plans eBook
You need Emergency Lesson Plans. The unexpected comes up all the time.
This Emergency Lesson Plan Collection (30 lessons) will address all of your concerns and take into account all of your sub’s questions. Every Emergency Lesson Plan includes substitute instructions, handouts, and assessment suggestions.
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RESOURCE
Dealing with Absent Students During Scene Work: The Group Scene Project
Do you have trouble rehearsing scenes in class because of absenteeism or school testing or any number of other events that pull students from your classroom? The rehearsal and performance of scenes are a key part of the drama curriculum, and all of these obstacles can bring scene work to a halt.
The Group Scene Project is designed to help circumvent obstacles of missing scene partners and give those students who are in class the ability to continue working on their scenes.
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Attachments
PLCs
PLC
Tech Hacks: Tips and tricks to make your production a technical success!
Hosted by Matt Webster and Holly Beardsley
Technical Theatre Tips
Tips for set design, costuming, lighting, and more! Dealing with small budgets, overcoming obstacles, and making the most of what you have. BONUS material at the end of the PLC!
Hosted by DTA instructors Holly Beardsley, Matt Webster, and Lindsay Price.
Recorded on September 15, 2015 at 8pm.
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Attachments
PLC
Let's get physical
Hosted by Matt Webster, Allison Williams
Join us for tips and tricks on getting your students to make bold physical choices in their work.
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Attachments
PLC
Staging and Stage Pictures
Hosted by Matt Webster, Lindsay Price, Karen Loftus, Shelby Steege
The spring production season is upon us and shows are starting the rehearsal process. The cornerstone of any good production is good blocking, because good blocking makes good stage pictures. But are you using blocking to its maximum effect? Join us for a conversation about blocking and staging that is sure to spark your imagination.
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Attachments
PLC
Assessment
Hosted by Matt Webster, Lindsay Price, Lindsay Johnson, Shelby Steege
Assessing students is always a challenge, but in the Drama classroom it's a challenge on top of a challenge! We assess knowledge, of course, but we also assess commitment, skill and performance. Assessment is fundamental to education, but the how and why of assessment differs from classroom to classroom, and lesson to lesson. Join us as we navigate the twists and turns of Assessment in the Drama Classroom.
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Attachments
PLC
How to Execute the Empathy Project in your Drama Classroom
Hosted by Matt Webster, Lindsay Price, Christa Vogt, Shelby Steege
As teachers return to their classrooms, they are desperate to rebuild the collaborative and supportive environments that are so vital to a well functioning Drama class. Thankfully, there is a resource in the DTA created just for such a task. The Empathy Project is one of the most popular resources in the entire DTA library. Based off the Empathetic Classroom course by Steven Stack, the project focuses on these essential questions:
• How can theatre evoke empathy?
• How can we apply empathy outside the drama classroom?
Join teachers who have used, adapted, and successfully led the Empathy Project with their students, and add this powerful tool to your classroom management toolkit.
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Attachments
PLC
AI in the Drama Classroom
Hosted by Matt Webster, Lindsay Price, Jessica McGettrick, Elizabeth Holbrook
Artificial Intelligence is here. In the past few years it has found its way into almost every corner of modern life - including the classroom. However, important questions remain. Questions like: "Is there a place for AI in the classroom?" "Does that include the Drama classroom?" and "What does AI in the Drama classroom look like?"
These are just some of the questions we will tackle when you join us in this forward thinking PLC.
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Attachments
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